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It doesn’t reveal how the zombie infestation started, and it doesn’t offer any sci-fi fixes to the problem. In the end, though, Shuan isn’t really about zombies. When the zombies do start showing up over the shoulders of Shaun and his friends, they go unnoticed for a while to everyone but us.
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Shaun literally stumbles through this world, clueless about how to hold on to Liz or rise above his own stagnant existence. Before the blood starts flying, writer/director Edgar Wright plays with his audience’s expectations, setting us up to see zombies who turn out instead to be ordinary people plodding through their day-riding the bus, working, shuffling down the street-with slack-jawed looks of sheer boredom. And though not as meanspirited as the Dawn of the Dead remake, it’s equally gross, violent and foul-mouthed. Although a comedy, the film is no spoof, presenting it’s flesh-eating undead in horrific detail.
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Did I mention there’s lots of blood?Īlready a big hit in the U.K., Shaun of the Dead is a funny, disgusting movie that hides its sensitive beating heart under gallons of zombie makeup. The gore reaches its apex when a central character is disemboweled (with intestines and organs on display) and then torn apart at the limbs by the zombie horde. Some of this stuff is really nauseating, including a moment when Shaun is forced to shoot a very recently departed love one in the head. Not only do zombies get dismembered, impaled, shot, gouged, and run over (and then get up and stagger back for more, limbs akimbo), they also violently munch living humans resulting in spurting, gushing and pouring blood in every direction.
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(Not necessarily a good thing.) The special effects team celebrate zombiedom’s low-budget roots by giving every wound, every missing limb, every limping, groaning undead the full, bloody Creature Feature treatment.Īs we learn from a TV news commentator early on, zombies can only be killed by “removing the head” or “smashing the brains.” Thus, our heroes repeatedly attempt to do both to these traditionally slow-moving creatures who only grow truly menacing in large numbers. Because of the laughs, the gore feels a little tongue-in-cheek. At least that’s the plan.īy design this zombie comedy is a splatterfest. With Ed’s help, he will kill them, save his mom, save Liz, take them all to the pub, and wait for the whole zombie mess to play itself out. But the multiplying zoms give Shaun a surprising purpose in life. When Liz finally dumps him, Shaun feels lost, gets drunk and discovers a zombie in the back yard.
Shaun loves his mom, but he can’t stand his uptight and manipulative stepdad. When not at the pub or work, he’s home playing video games with the flatulent and goofy Ed and getting lectured to grow up by their other flatmate Pete. At 29, Shaun’s working a dead-end job (so to speak) at a TV store and headed nowhere in particular. She wants more than to spend every night at the Winchester with Shaun’s profane slacker friend/roommate, Ed, and her two friends from college, Diane and David. After three years together, Liz is tired of waiting for him to get his life together. The title character is a North Londoner who loves the neighborhood pub and his girl Liz. And who better than the Brits to deliver one with loads of understated humor, buckets of gore and some real-life subtext to, er, chew on? With recent additions like 28 Days Later, the Resident Evil series, and a remake of Dawn, the time is ripe for a zombie comedy. Romero’s 1968 and ’78 classics Night of the Living Dead and Dawn of the Dead. Zombie movies have occupied their own subgenre of the horror category ever since George A.
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